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His throne is supported by a lotus emerging from a fenced pond, the branches of which form the subtle scroll that frames all of the secondary figures. The extensive teaching lineage it contains at the sides indicates that this painting refers to the Five Treatises of Maitreya, five commentaries on Buddha Shakyamuni’s teachings attributed to Maitreya.
Exemplary for fifteenth-century art, this painting continues organizational features from earlier styles but places the figures against a uniform dark-blue sky background with stylized clouds. Typical for the period are the large leaves and flowers branching off the scrolling lotus throughout the painting. Thus, although there is no landscape as such, the composition does create a sense of space around the figures that is absent in earlier paintings. Compared with the nearly contemporaneous Gyantse murals, the decorations here are restrained and exemplify the stylistic possibilities shortly before the landscape revolution of the mid-fifteenth century.
Maitreya, the Future Buddha
OriginTibet
Dateca. second quarter of 15th century
Dimensions34 3/8 x 1 1/8 x 27 1/4 in. (87.3 x 2.9 x 69.2 cm)
MediumPigments on cloth
Classification(s)
Credit LineRubin Museum of Art, Gift of the Shelley & Donald Rubin Foundation
Object numberF1998.17.2
Himalayan Art Resources Number664
DescriptionThis luminous painting of the Future Buddha, Maitreya, shows him sitting on his celestial throne in Tushita heaven radiating light. The Future Buddha sits with his legs extended as if poised and ready to descend to earth and take up his ministry as the buddha of the next eon. He is adorned with the princely jewels and garb of a bodhisattva, having not yet taken up his future role as the next buddha, when he would be depicted in monk’s robes like the buddha of our current age, Shakyamuni. In his left hand Maitreya holds the stem of a Nagakesara blossom carrying a flask, his distinctive identifying attribute.His throne is supported by a lotus emerging from a fenced pond, the branches of which form the subtle scroll that frames all of the secondary figures. The extensive teaching lineage it contains at the sides indicates that this painting refers to the Five Treatises of Maitreya, five commentaries on Buddha Shakyamuni’s teachings attributed to Maitreya.
Exemplary for fifteenth-century art, this painting continues organizational features from earlier styles but places the figures against a uniform dark-blue sky background with stylized clouds. Typical for the period are the large leaves and flowers branching off the scrolling lotus throughout the painting. Thus, although there is no landscape as such, the composition does create a sense of space around the figures that is absent in earlier paintings. Compared with the nearly contemporaneous Gyantse murals, the decorations here are restrained and exemplify the stylistic possibilities shortly before the landscape revolution of the mid-fifteenth century.
Not on view
19th century
17th - 18th century
late 18th - early 19th century
17th - 19th century
14th century
early to mid-14th century
late 18th - 19th century
Dated by inscription 1853
19th century