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This sculpture was modeled on a famous statue made by the great Mongolian sculptor Zanabazar (1635–1723), which was the focus of the annual Maitreya Festival procession, and thus well known to Mongolian artists. Inspired by Nepalese aesthetics, the soft sleekness of form broken by a subtle asymmetrical linear pattern of cords and sashes closely follows Zanabazar’s design. The distinctive drum-shaped lotus throne, with finely articulated leaves and stamen, is also a distinctive feature of Zanabazar’s style.
Maitreya, Buddha of the Future
OriginMongolia
Date19th century
Dimensions10 × 3 × 1 1/2 in.
MediumGilt copper alloy with pigment
Classification(s)
Credit LineRubin Museum of Art
Object numberC2006.25.1a-b
Himalayan Art Resources Number65639
DescriptionMaitreya (Mongolian Mayidari), the Buddha of the Future, recognizable by the stupa in his hair, is a special focus of worship among the Mongols. The tradition’s promise of the coming of a new age was appealing among the Mongols, who linked it to their aspirations to reestablish the glory days of the Mongol Empire. This sculpture was modeled on a famous statue made by the great Mongolian sculptor Zanabazar (1635–1723), which was the focus of the annual Maitreya Festival procession, and thus well known to Mongolian artists. Inspired by Nepalese aesthetics, the soft sleekness of form broken by a subtle asymmetrical linear pattern of cords and sashes closely follows Zanabazar’s design. The distinctive drum-shaped lotus throne, with finely articulated leaves and stamen, is also a distinctive feature of Zanabazar’s style.
late 18th - early 19th century
ca. second quarter of 15th century
17th - 18th century
Sculpture: 1403-1424; Throne: ca. 13th century
17th - 19th century
18th century
18th century
19th century
14th century