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The great Tibetan artist and patron Situ Panchen (1700–1774) set up a workshop of artists in 1732 to paint a set of the Eight Great Bodhisattvas, upon which this painting is based. He had the artist Thrinlay Rabphel of Karsho, near Karma Monastery in Kham, trace and sketch older paintings by Konchok Phende, a prominent sixteenth-century court painter of the ninth Karmapa. Not only does this set indicate what kind of models Situ selected in his revival of the Encampment painting style, but it also bears witness to the existence of strong Chinese figural and compositional elements in earlier pre-Encampment style paintings from the court of the Ninth Karmapa in the sixteenth century.
Bodhisattva Avalokiteshvara (After Situ Panchen's (1700–1774) set of Eight Great Bodhisattvas)
OriginKham Province, Eastern Tibet
Date19th century
Dimensions39 1/2 × 20 3/4 × 1/2 in.
MediumPigments on cloth
Classification(s)
Credit LineRubin Museum of Art
Object numberC2008.9
Himalayan Art Resources Number65829
Project Himalayan Arthttps://rubinmuseum.org/projecthimalayanart/essays/arhats-viewing-a-painting-of-birds-by-the-tenth-karmapa/, https://rubinmuseum.org/projecthimalayanart/essays/portrait-of-situ-panchen/
DescriptionThis depiction of the Bodhisattva of Compassion, Avalokiteshvara, does not follow the usual Indo-Tibetan textual descriptions of the deity, demonstrating a degree of artistic freedom in the representation. The figure is casually seated and meditatively gazing at the small red figure of Buddha Amitabha, his spiritual father, sitting on a lotus.The great Tibetan artist and patron Situ Panchen (1700–1774) set up a workshop of artists in 1732 to paint a set of the Eight Great Bodhisattvas, upon which this painting is based. He had the artist Thrinlay Rabphel of Karsho, near Karma Monastery in Kham, trace and sketch older paintings by Konchok Phende, a prominent sixteenth-century court painter of the ninth Karmapa. Not only does this set indicate what kind of models Situ selected in his revival of the Encampment painting style, but it also bears witness to the existence of strong Chinese figural and compositional elements in earlier pre-Encampment style paintings from the court of the Ninth Karmapa in the sixteenth century.
Not on view
late 18th century, ca. 1760s
17th - 18th century
ca. second quarter of 15th century