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This sculpture was masterfully executed, and several details underscore the artist’s ingenuity. Among them are the use of a silver patina in the reclining elephant-headed figure’s skin as contrasted with his gold ornaments and clothing, as well as such details as the individual articulation of the facial expressions on the severed heads strung together around Mahakala’s waist.
Six-armed Mahakala
OriginMongolia
Date18th century
Dimensions18 3/4 × 14 1/2 × 7 1/2 in.
MediumSilver and gilt copper alloy with semiprecious stones
Classification(s)
Credit LineRubin Museum of Art
Object numberC2006.70.1a-f
Himalayan Art Resources Number65729
DescriptionThis six-armed form of Mahakala in this dynamic pose is one of the principal protectors of the Geluk School of Tibetan Buddhism, to which most Mongolians have adhered since the late sixteenth century. Mahakala has been a special object of veneration in Mongolia since the thirteenth century, when he served as the state protector of the Mongolian Empire. One of Mahakala’s primary roles is to overcome obstacles to enlightenment. This is visually manifest in this sculpture by his trampling an elephant-headed god, who represents such obstacles.This sculpture was masterfully executed, and several details underscore the artist’s ingenuity. Among them are the use of a silver patina in the reclining elephant-headed figure’s skin as contrasted with his gold ornaments and clothing, as well as such details as the individual articulation of the facial expressions on the severed heads strung together around Mahakala’s waist.
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