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Photograph by Gavin Ashworth, Rubin Museum of Art, 2014.
Saddle
Photograph by Gavin Ashworth, Rubin Museum of Art, 2014.
Photograph by Gavin Ashworth, Rubin Museum of Art, 2014.

Saddle

OriginTibet or Mongolia
Date18th - 19th century
Dimensions13 × 26 1/2 × 14 1/2 in. (variable)
Mediumwood, iron with gilding/silver plating, cloth, silk, leather, pigment
Classification(s)
Credit LineRubin Museum of Art, Gift of the Family of Leon J. Weil
Object numberC2013.13
DescriptionSuch richly decorated saddles were public displays of status throughout the Himalayas, especially in Tibetan and Mongolian cultures where horses played such a prominent role, much as a luxury car does today. The richly decorated face plates on this saddle are made from thick iron, deeply chiseled and pierced, and gilt with a technique known in the West as damascening. The primary motif is long, thin scrollwork framing a pair of four-toed dragons that face a flaming jewel, the most popular motif used to decorate saddles. The cover is decorated with a lotus motif surrounded by smaller roundels with the Chinese character for long life. The wear of the silk saddle cloth reveals its construction, including the use of wool bunting beneath.